The conspiracy cinema of Tom "cTom" Charley
“He overworked us, didn’t pay us, and acted like a crazy person.”
Every once in a while I return to the enigma that is cTom, a/k/a Tom Charley, an independent filmmaker from Michigan responsible for some of the weirdest American films of the millennium. The four that I know about — Lucy's Law, The President Goes to Heaven, Song Of the Blind Girl, and Who Killed Aliyah? — were seemingly written in a prolonged creative …
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